"They are not things of any importance," Owen, to Fleda's surprise, suddenly asserted. He had not at first taken up Mrs. Brigstock's expression of a wish to carry him off: Fleda could see that the instinct at the bottom of this was that of standing by her, of seeming not to abandon her. But abruptly, all his soreness working within him, it had struck him that he should abandon her still more if he should leave her to be dealt with by her other visitor. "You must allow me to say, you know, Mrs. Brigstock, that I don't think you should come down on Miss Vetch about anything. It's very good of her to take the smallest interest in us and our horrid little squabble. If you want to talk about it, talk about it with me." He was flushed with the idea of protecting Fleda, of exhibiting his consideration for her. "I don't like your cross-questioning her, don't you see? She's as straight as a die: I'll tell you all about her!" he declared with an excited laugh. "Please come off with me and let her alone." "Not Mr. Gereth, I mean—nor his wife?"!

Mrs. Gereth shook her head with slow austerity. "You don't believe a word you're saying. I've frightened you, as you've frightened me: you're whistling in the dark to keep up our courage. I do simplify, doubtless, if to simplify is to fail to comprehend the insanity of a passion that bewilders a young blockhead with bugaboo barriers, with hideous and monstrous sacrifices. I can only repeat that you're beyond me. Your perversity's a thing to howl over. However," the poor woman continued with a break in her voice, a long hesitation and then the dry triumph of her will, "I'll never mention it to you again! Owen I can just make out; for Owen is a blockhead. Owen's a blockhead," she repeated with a quiet, tragic finality, looking straight into Fleda's eyes. "I don't know why you dress up so the fact that he's disgustingly weak." "If she does take it ill of you."

He laughed out at this, and she wondered if, with a new-born acuteness, he saw the absurdity of her speech, and that no one was happy just because no one could be what she so lightly prescribed. "I don't pretend to be perfect, but I shall find a letter to-night!" "I'll give up the house if they'll let me take what I require!" That, on the morrow, was what Mrs. Gereth's stifled night had qualified her to say, with a tragic face, at breakfast. Fleda reflected that what she "required" was simply every object that surrounded them. The poor woman would have admitted this truth and accepted the conclusion to be drawn from it, the reduction to the absurd of her attitude, the exaltation of her revolt. The girl's dread of a scandal, of spectators and critics, diminished the more she saw how little vulgar avidity had to do with this rigor. It was not the crude love of possession; it was the need to be faithful to a trust and loyal to an idea. The idea was surely noble: it was that of the beauty Mrs. Gereth had so patiently and consummately wrought. Pale but radiant, with her back to the wall, she rose there like a heroine guarding a treasure. To give up the ship was to flinch from her duty; there was something in her eyes that declared she would die at her post. If their difference should become public the shame would be all for the others. If Waterbath thought it could afford to expose itself, then Waterbath was welcome to the folly. Her fanaticism gave her a new distinction, and Fleda perceived almost with awe that she had never carried herself so well. She trod the place like a reigning queen or a proud usurper; full as it was of splendid pieces, it could show in these days no ornament so effective as its menaced mistress. Fleda received with the same stoicism the quiet immensity of this allusion to the person who had not known how. But it made her think a little, and the thought found utterance, with unconscious irony, in the simple interrogation: "Mona?"